Abstract:
Temple murals of the Kandyan tradition were a visual media which indicated the
attitudes and beliefs of the people of Sri Lanka during the 17th and 18th centuries. These
murals are not only works of art but also authentic historical sources. Thus, these murals
can be used as primary sources for the study of the history of the Kandyan Kingdom as well
as the colonial influence on the Maritime Provinces.
The paper would focus on the attitudes and the observations of the artists regarding
the colonial rule and the social influence of the colonizers on traditional society. A marked
difference could be seen in indicating such attitudes and observations of the artists who
created the murals in the Kandyan temples from those of the artists who created murals in
the temples of the Maritime Provinces.
The aim of this paper is to critically examine this difference. Although artists used
the same style of drawing i.e. the style popularly known as the Kandyan style, the contents
of the murals of the two regions indicate notable differences. These differences, when
defined historically indicate the distinct manner in which the attitudes of the two regions
were formed during colonial rule.
