Abstract:
Looking at two kinds of ongoing musical activity in Sri Lanka - Catholic church music and
baila-kaffringha, I seek to trace a connection between them and the Portuguese
conquest period.
In baila-kqffrmgha there is no original Portuguese material except the word 'baile', dance
and musical instruments such as violin, mandoline, guitar and rabana (drum). Tracing
back today's popular Sinhalese and English baila, one passes through the 19th century
when Portuguese Burghers (an ethnic group with mixed Portuguese, Kaffir, and local
blood, who survived by mechanical work such as shoemaking) held song and dance
parties with music called cafferina, accompanied by Portuguese-derived instruments and
with Portuguese style dresses). Further backwards in time, the Portuguese Burghers
and Kaffirs seem to have developed baila music. How this happened is conjectural. Was
it based on Portuguese folk music which might have been prevalent among the
Portuguese soldiers? Or was it invented by the Portuguese and Kaffirs, just as, more
recently, the Afro-Americans invented Blues in the US and Reggae in the West Indies.
Catholic church music in Sri Lanka today consists of chants, hymns, pasan, music of
passion plays. The Westernised local people use Latin and English words in their chants
in hymns they use English words set to Western musical melodies and harmonies. The
less-westernized people have their church services in Sinhalese or Tamil. Here the
words and music have been vastly changed from the original Portuguese material so as
to be in line with the people's cultural way of life. These "inculturating" changes took
place under the influence of priests as well as laymen. Leading names of the priests
concerned are Fr Pedro Francisco in Portuguese times, Jacome Gonsalves, a Goanese
priest of the early 18th century, Fr Marcelline Jayakody of the 20th century.
In the 18th and 19th centuries the impoverished and maltreated remnants of Portuguese
people, the Portuguese Burghers remained faithful to their religion, Catholicism. The
music which they used consisted of melodic chants. Two of the best known chants were
the Pater Noster and the Ave Maria.
