Abstract:
Charlie Chaplin is considered a landmark figure in 20th Century Cinema. He reresents
the silent era of Cinema that can be appreciated by spectators from any lifestyle,
particularly regardless of differences in language and culture. The purpose of the present
study is to examine the depiction of reality in two of his numerous cinematic masterpieces,
City Light (1931) and The Circus (1928) from a Marxist critical perspective. The plots
of both these films are based on the worldly and sentimental phenomenon of love.
Chaplin effectively exploits a simple subject to depict the flaws of appearance. For the
purposes of the present study, the two primary sources were analyzed from a Marxist
point of view with reference to the relevant theoretical literature on Marxism and
Cinematography. Based on the Marxian understanding that reality is only the reality of
the material relations of production, it can be argued that appearance is far away from
reality. When reading the above cinematic masterpieces, it becomes apparent that the
issues that have been neglected in the mainstream discourses are conveyed to the
audiences coincidentally through the medium of comedy. Furthermore, the analysis of
the afore-mentioned works of cinema reveals how reality has been undermined by
ideology.
