Publications
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Item 1 අග්බෝ රජ දවස විසූ ෙදාළොස් මහා කවීහු(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Abeynayake, O.Item (1) සාහිත්ය විචාරය නිශ්චිත විධික්රමයක සිරගත කළ යුතු ද? (2) විචාරයේ කේන්ද්රය නිර්මාණයයි(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Rathnayake, M.P.Item Academic studies in Buddhism and the Universities in Sri Lanka(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Karunadasa, Y.Item The Agamemnon on Sri Lankan Stage - A critical survey of Gayan Randeera's adaptation(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Jayasekera, K.Item An Analytical Study on the Tea Culture of China and Sri Lanka(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2016) Sumuduni, M.M.Y.C.; Piyumali, D.M.R.Item The Ancient near East: An Intercultural Civilization(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2009) Gamlath, I.Item The animal liberation movement: an ancient Greek perspective(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2001) Gamlath, E.Item Artisans and their practice of construction and decoration of Buddhist monasteries in the low-country of colonial Ceylon (1750-1900)(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2008) Jayathilaka, J.A.V.N.Item Asani paathaya –A critical Evaluation(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Kularathna, A.K.Item Aspects of Sri Lanka's foot prints of the Buddha(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Kusumoto, KayokoItem Assessing the competency of high dynamic range technique in Architectural Photography(Journal of Aesthetic and Fine Arts, University of Kelaniya, 2016) Nayanapriya, M.G.T.In photography field although there are number of categories, the category of architectural photography takes a unique place among the other categories because in architectural photography the abiotic subjects are represented as an artistic way. However, when capturing architectural subjects, photographers face many problems such as lighting issues, lack of dynamic range etc. that eventually reduce the quality of the photograph. Although the technique of High Dynamic Range (HDR) is introduced to minimize the above problems in other photography categories, in architectural photography this technique is not widely used because of some hollow sentiments of architectural photographers. By conducting the questionnaire, it was identified that most of the architectural photographers are not aware about the benefits of the HDR technique. Also, from the practical session it was observed that the architectural HDR photographs are more useful than the ordinary photographs because in HDR photographs the colour depth, dynamic range and the details of the architectural structures are well captured than the ordinary photographs. The results of this study proves that the HDR technique is suitable to capture the architectural photographs because it helps to resolve the problems which photographers face mainly due to the lack of dynamic range.Item Attitudinal difference towards learning English: A study of the first year students of the faculty of Science and the faculty of Arts(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2010) Harasgama, T.G.Item Audio-visual translation: accessibility to all(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2009) Boralugoda, A.Item Audiovisual translation(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2013) Gamage, K.N.Item Aural mementoes: memories of Sri Lankan migrants in Melbourne,(Journal of Aesthetic and Fine Arts, University of Kelaniya, 2016) Munasinghe, T.Memory is an integral part of our character and individuality wherever we live. Sound memories provide a diverse path through which migrants can preserve cognition and reconstruct past practices, usually for present purposes. Our communal roots build the social identity, with both geographical and psychological memory offering insights into the very core of our identity. This research focuses on the sound and music memories that Sri Lankan emigrants carry from their mother country and how they are integrated into the Australian sound environment. Ten members of five Sri Lankan families were engaged in recorded conversations regarding their memories of environmental sounds, music, and language, both form their motherland and from contemporary Melbourne. These memories of Sri Lankan emigrants in contemporary Melbourne help to explore the connection between a person’s past sound and music memories and their experiences of sound and music in their displaced location. This paper delineates the connection of place with memories and how these effects upon their lives, irrespective of where they live.Item Authenticity of legend on history(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2008) Palliyaguru, C.Item The base language effect and the bilingual(S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka, 2014) Weththewe, C.D.S.Item “Bokken ranga pamuda” gut feeling instinct and rhetoric of Sri Lankan Actor Learnings(Journal of Aesthetic and Fine Arts, University of Kelaniya, 2016) Liyanage, S.The mental representation of learning as a dominant model of knowledge acquisition has been a long-standing formula for Western pedagogy. Within the sensation-idea-response model, the subject perceives the objects, conceptualizes ideas in the brain, and generates actions through the body. Thus, the relationship between perception and action is hierarchical as the action is secondary to the perception. This epistemological problem is the result of the disembodied mind propagated by the Cartesian tradition. It is no exception when it comes to the discourse of acting: this split has also affected the rhetoric of acting; the actor’s mind is regarded as the rational knower and the active mover of the body. However, some actors in Sri Lankan theatre often refer to the phrase ‘bokken ranga pāmu’ (act from the gut) as a metaphorical expression of how the actor should act truthfully. It further means that the good actor does not act from the heart nor the intellect but from the ‘gut instinct’ of the body. This metaphorical idea of gut replaces the disembodied rational thinking in the mind with something fleshy embedded in the ‘intestine’ of the actor’s body. In this paper, I want to show how a group of Sri Lankan actors challenge the idea of mental representation of learning by introducing a visceral origination of their knowing and the synergy of thoughts and imagination coupled with the lived body.Item Borrowing of code mixes? The presence of long English nouns in mixed discourse(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2013) Wettewe, C.D.S.Item A brief survey of early Buddhist analysis of mind and defilements(Faculty of Humanities, University of Kelaniya, Sri Lanka, 2011) Kumara, R.P.