JRS 2016
Permanent URI for this collectionhttp://repository.kln.ac.lk/handle/123456789/15275
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Item කථකලි නර්තන සම්ප්‍රදායෙහි වේෂ භූෂණ විධි ක්‍රම(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Madumali, S.D.Item නවගමුව දේවාලය ප්‍රමුඛව පත්තිනි ඇදහිල්ල හා බැඳි ජන විශ්වාස(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Buddhika, H.D.N.Item රාජවෛශ්‍ය භුජංගා මණ්ඩපයේ ගෘහනිර්මාණාත්මක ලක්ෂණ(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Kumanayake, D.V.; Hakmanage, S.T.Item හින්දුස්තානි සංගීතයේ ස්වරයන්ගේ විකසනය කෙරෙහි වෛදික ශාස්ත්‍රවල බලපෑම(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Weerasinghe, N.W.G.Item පාල හා සේන යුගයන්ට අයත් බුද්ධ ප්‍රතිමාවන්හි මහායාන බෞද්ධාගමික ලක්ෂණ(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Kaushalya, K.M.U.Item Renoirගේ සිතුවම්වලින් පිළිබිඹුවන මධ්‍යම පන්තික ජන ජීවිතය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Senevirathne, K.M.D.S.Item ශ්‍රී ලංකාවේ නූර්ති සංගීතය විෂයෙහි හින්දුස්තානි සංගීතයේ බලපෑම(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Kumari, I.A.S.S.Item ක්ලෝඩ් මොනේ සහ උපස්ථිතිවාදයේ ආරම්භය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Madage, M.P.R.Item මහනුවර යුගයේ ලංකාවේ සංගීතය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Dayapathirana, P.H.D.Item ඉන්දියාවේ බෞද්ධ ගුහා විහාරයන්හි ආකෘතික ලක්ෂණ(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Jayathilake, W.K.M.D.Item සාම්ප්‍රදායික ජන ගී හා බැඳි සමාජ ක්‍රමය- මධ්‍යම පළාත ඇසුරින් කරන අධ්‍යයනයක්(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Premasiri, K.A.G.M.Item හින්දුස්තානි රාගධාරී සංගීතයේ රාග-රාගිනි සිද්ධාන්තය සහ රාගමාලා සිතුවම්(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Herath, H.M.I.K.K.Item Special Characteristics of the paintings of Kandian Era(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Hemamali, B.M.A.Paintings belonging to the Kandyan period are re-divided into several categories: Madyama Mahanuwara, Dakunu Gurukulaya, other divisional styles (i.e. Sabaragamuwa, North Western etc.) of the major variations, the Central Kandyan style portray some specific characteristics that might have made and influence on the other regional variations as well. Thus, the objective of the present paper is to identify and examine the particular stylistics characteristics and technical aspects of the paintings of Central Kandyan style. Apparently, the artist of the Central Kandyan style has applied “continuous narration style” in that the central theme as the Jataka stories. Particular attention has been paid to illustrate every single episode belonging to the particular story and they repeatedly sketched the same figure, subject, or the design continuously. Each of these episodes of the Jataka stories have been illustrated in the panel. The artist has also divided the interior walls of the temple into small parts and the stories depicted from left to right. In order to give a proper understanding of the story they have illustrated, the artist also provided a brief description underneath the panel. These techniques though unique to Central Kandyan style, relatively have made an influence on the paintings of the “Dakunu Gurukulaya” despite the fact that they have applied more decorative elements from the contemporary social environment. Therefore, it can be concluded that the paintings belonging to Central Kandyan style is unique to the particular period and influential to the regional stylistic development simultaneously occurred throughout the country.Item රිද්දි යාගය තුළින් වන සන්නිවේදනය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Ramani, D.M.P.Item පරාක්‍රමබාහු රජ මාළිගය හා එහි උපයෝගිතාව(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Gunarathne, B.A.C.; Jayasinghe, K.P.D.A.N.Item කොහොඹායක් කංකාරියෙහි භාවිත හත්පදය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Wijewardhana. G.M.S.S.Item ග්‍රීක පුරාණෝක්ති වස්තු විෂය කරගත් කනෝවාගේ මූර්ති(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Maheshika, R.K.P.Item භරත නාට්‍යම්හි රසභාව නිෂ්පත්තිය කෙරෙහි ආංගික අභිනයෙහි දායකත්වය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Gunasekara, T.W.Item සාංචි සහ භාර්හුත් ස්තූප ආකෘතිවල විශේෂ ලක්ෂණ(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Thennakoon, T.K.M.K.S.Item රාගාංග අනුව හින්දුස්තානී රාග වර්ගීකරණය(Visual Arts & Design and performing Arts Unit, Department of Fine Arts, University of Kelaniya, Kelaniya, 2016) Haputhanthri, H.G.D.P.