Origins of Sri Lankan Kolam Drama, its Correlation of Caste Hierarchy and Creativity. (Special reference to Ambalangoda Kolam dance)

Abstract

This academic abstract focuses on an in-depth exploration of Sri Lankan Kolam drama, with a specific focus on the characteristic features of the Ambalangoda Kolam tradition, using a mixed-method research approach, this research delves into the historical origins, cultural significance, and the fascinating relationship between Kolam drama and the caste hierarchy in Sri Lankan society. Kolam drama, rooted in Sri Lankan folklore, has a rich history spanning centuries. It seamlessly blends music, dance, dialogues, and storytelling, using decorative costumes and masks to convey folk narratives and religious stories. Ambalangoda Kolam, well-known for its exceptional masks and identical costumes, stands out as a charming embodiment of this art form. The uniqueness of Ambalangoda Kolam drama is the central point of interest in this research. Compared to other regional variations, it showcases distinct features, both in its craftsmanship and performances, which are attributed to the regional influences on mask-making and artistic expression. This study aims to reveal these unique traits and their significance in preserving Sri Lanka's cultural heritage. The research methodology followed a combined historical-ethnographic approach. Historical research traces back to the origin and routes of Kolam drama concerning its regional differences. In parallel, ethnographic fieldwork is employed to obtain ideas from specialists, traditional artists, and other experts in the discipline to shed light on the peculiar aspects of Ambalangoda Kolam. The data that caste backgrounds related to qualitative and quantitative are collected and analyzed. This helps in shedding much light on the caste dynamics.