Abstract:
It is believed that ‘The lament on Ariyaathai wife of Vellppnikan’ was composed during the Dutch period in the Vanni region. There is evidence to prove this. This story is based on the sufferings faced by the inhabitants of Vanni due to the tributes paid to the Dutch by Vanni chieftains. The hierarchical relationship among Dutch, Vanni chieftains and the inhabitants of Vanni mostly affected the inhabitants. This story is about one of the victims of the inhabitants during the colonial period.
Vellappanikan belongs to the Pannikar caste. They had the skill of taming the elephants. One wife of Vellappanikan; Ariyaaththai was appointed to catch a tusker by the Chieftains. Then Ariyaathai went to the dark forest and used her psychic power and the tusker fell down. At the very end, Ariyaththai and the tusker died. It is an exceptional text that Vellappanikan – husband of Ariyaathai lamented for his wife Ariyaaththai. Earlier this story was composed in the elegiac form; written on the palm leaf. Then later lament was altered and edited in the various socio-cultural context and also it was composed in Koothu and other genres of theater forms.
This research analyses and compares the different versions of this story. The structural method will be used to understand the changes in detail. The historical background, the lament – voice of the weak, reflecting the histories, politics of the story of Ariyaathai will be analyzed.
It is one of the rare portrayals of woman characters with psychological depth. In this lament the trauma of the inhabitants is recorded and also later this story was used for socio-cultural politics of the Vanni region.
