Please use this identifier to cite or link to this item: http://repository.kln.ac.lk/handle/123456789/7855
Title: A Study of the Cultural Identity of the Wahakotte Catholic Community
Authors: Weerakkody, I.S.
Keywords: Pasan chanting, Lent season, St. Anthony’s Church, "Hewisi" influence.Pasan chanting, Lent season, St. Anthony’s Church, "Hewisi" influence.
Issue Date: 2015
Publisher: University of Kelaniya
Citation: Weerakkody, Iranga Samindani 2015. A Study of the Cultural Identity of the Wahakotte Catholic Community, International Conference on the Humanities 2015: New Dynamics, Directions and Divergences (ICH 2015), University of Kelaniya, Kelaniya, Sri Lanka. 21-22 May 2015. (Abstract) p.165.
Abstract: Wahakotte is situated in the Matale district in the Central province. Approximately 95 % of itspopulation are Catholic, with about 650 families belonging to the parish of St. Anthony's church. The three main feasts held by the church are marked by cultural assimilation, with the use of hewisidrums in the processions bearing religious relics of importance such as the ivory Crucifix and the statue of Our Lady. The style of Pasan singing in the Wahakotte region is of significance, because itis strongly influenced by traditional harvesting songs. During Lent, prose Pasan that consist of singing and chantingare performed in an ad libitum, or free tempo style that can be heard when the group of singers visit houses and later at St. Anthony’s church.Pasan verses are also sung to express grief in situations such as death. They are transmitted from generation to generation in an oral tradition, but are now known only by a few families in the Wahakotte area at present. A compilation of Prose Pasan verses can be seen in the book called "Passion of the Christ" based on the Portuguese tradition in Konkani. Traditional Pasan singing in Wahakotte is very unique because the text goes back to the time of the Kandyan Kings with the melodies becoming indigenized over the last two centuries. Differences exist between the Pasan singing style of Wahakotte and those of other regions. These include variation in the melodies and the significant influence of Buddhist Pirith chanting as well as harvesting songs. This research study focuses on ten Pasan verses in order to highlight the uniqueness of the songs of Wahakotte.
URI: http://repository.kln.ac.lk/handle/123456789/7855
Appears in Collections:ICH 2015

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