Please use this identifier to cite or link to this item: http://repository.kln.ac.lk/handle/123456789/27972
Title: Iconographic, Symbolic, and Semiotic Values of Dance, Music, and Visual Arts in Ritual Theatre: A Multidisciplinary Approach
Authors: Narangoda, Prashanthi
Issue Date: 2024
Publisher: Faculty of Humanities
Citation: Narangoda, Prashanthi (2023). Iconographic, Symbolic, and Semiotic Values of Dance, Music, and Visual Arts in Ritual Theatre: A Multidisciplinary Approach, International Conference on the Humanities (ICH), Faculty of Humanities, University of kelaniya
Abstract: Ritual theatre, deeply embedded in cultural traditions and spiritual practices, serves as a profound manifestation of human expression and connectivity. At its core, ritual theatre intertwines various art forms, including dance, music, and visual arts, enriched with iconographic, symbolic, and semiotic values that contribute to the holistic experience of the performance. This discussion aims to divert our studies into multifaceted dimensions in the context of ritual theatre, aiming to unravel their profound significance and interplay. Dance, as a primordial form of human expression, embodies intricate movements, gestures, and choreographies laden with symbolic meanings. Through the language of the body, we call it body language; dancers communicate a variety of stories, narratives, emotions, and spiritual insights, surpassing linguistic barriers also connecting with the audiences before him. Within ritual theatre, dance assumes a central role in depicting mythological narratives, ritualistic gestures, and symbolic transformations, invoking spiritual transcendence. Similarly, music serves as a potent medium for evoking emotions, shaping atmospheres, and conveying cultural narratives within ritual theatre. From primal drumbeats to melodious chants, musical compositions resonate with symbolic motifs, rhythmic patterns, and harmonic structures that echo the cosmological order and spiritual dimensions of the performance synchronize with the movements of dance and the imagery of visual arts is an integral component of ritual theatre. Visual arts, on the other hand, encountering a diverse array of forms such as masks, costumes, props, and stage design, infuse ritual theatre with a range of symbolic motifs, iconographic elements, and semiotic codes. Each visual element carries layers of cultural meanings, mythological references, and ritualistic symbols, creating a visual vocabulary that communicates narratives and invokes transcendental experiences. It is apparent that elaborate costumes representing deities and archetypal figures or through symbolic objects attributed with sacred significance, visual arts has become an integral part for embodying the spiritual essence of ritual theatre. Thus, it is apparent that the iconographic, symbolic, and semiotic values embedded within the elements of dance, music, and visual arts in ritual theatre constitute a rich cultural heritage of any society, demonstrates its spiritual wisdom, also enumerating an artistic expression. By exploring these dimensions, scholars and practitioners can deepen their understanding of ritual theatre as a dynamic intersection of artistic creativity, cultural identity, and transcendent experience, and the researchers can explore the semiotic values that encompass the societal needs, customs and traditions.
URI: http://repository.kln.ac.lk/handle/123456789/27972
Appears in Collections:Fine Arts

Files in This Item:
File Description SizeFormat 
H3.pdf232.92 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.