SRS - 2016
Collection home page
Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 27
Issue Date | Title | Author(s) |
2016 | Women to Watch Movies? | Buddhika, S. |
2016 | What Are the Reasons Which Tempt Contemporary Sinhalese | Samarathunga, E. |
2016 | The Sex Appeal by Current Music Videos in Sri Lanka | Herath, H.M.S.N. |
2016 | Resolving the Problems of Performing Art Photography That Rises Up in The Theatre | Liyanage, I. |
2016 | A Study of the Possibilities and Limits | Suraweera, A. |
2016 | Is it Fair to Cut-off 18+ Scenes Telecasted Through Sri Lankan Television Channels? | Hettiarachchi, B. |
2016 | Is Creating “Vidu” after “Aksharaya” an Ideological Displacement of Asoka Handagama? | Kumara, M.U. |
2016 | The Social impact of the ‘Selfie-Photography’ Trend Among the University Undergraduates | Lal, T.I.S.S. |
2016 | A Study of Whether Extension Tubes Can Substitute for Macro Photography | Wimalarathne, A.A.P.M. |
2016 | Use of Sexuality and Barbarity in Contemporary Television Series with Special Reference to ‘Game of Thrones’ & ‘Dexter’ | Fernando, D.C.V. |
2016 | Analysis of the Psychological Background of the Female Characters in Shakespearean Dramas (In Relation to Hamlet, Macbeth & Othello) | Rajapaksha, R.H.R. |
2016 | Resonances of an Enduring Lament: The ‘Trojan Women’ as a War Play | Abeysekara, C.J. |
2016 | Was the Conflict Presented in The Drama ‘Yerma’ Influenced by Contemporary Spanish Society? | Wanninayake, D.P.K. |
2016 | Tamil Dramaturgy and ‘Wadamodi Kuththu’ | Somasiri, R.D.T.N. |
2016 | The Singing Actor: The Birth of the Singing Actor in Sinhalese Theatre of Sri Lanka | Wickramasinghe, W.A.D.I.P. |
2016 | The Depiction of Reality in the Films of Charlie Chaplin: A Marxist Perspective | Darshana, K.D. |
2016 | The Current Dramaturge Requirements in Sri Lankan Theatre | Nishshanka, N.M.V.D. |
2016 | The Challengers that Obstruct the Popularity of Street Drama in Sri Lanka | Jayasundara, K.H.J.S.K. |
2016 | Modern Short Plays and Narratives | Arachchi, E.K.G. |
2016 | Hamlet is Neither Inert nor Backward when Achieving his Objectives | Gunasinghe, E.R.N.K. |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 27