Please use this identifier to cite or link to this item: http://repository.kln.ac.lk/handle/123456789/16360
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dc.contributor.authorAmarakoon, A.-
dc.date.accessioned2017-02-09T06:28:37Z-
dc.date.available2017-02-09T06:28:37Z-
dc.date.issued2016-
dc.identifier.citationAmarakoon, Asitha 2014/2015. යුරෝපීය නව සම්භාව්‍යවාදී කලා ප්‍රවණතාව. Prabha, Faculty of Humanities, University of Kelaniya. 04: 216-227.en_US
dc.identifier.issn2279-3127-
dc.identifier.urihttp://repository.kln.ac.lk/handle/123456789/16360-
dc.description.abstractThe artistic style know as “Neoclassicism” was the predominant movement in European art and architecture during the late 18th and early 19th centuries. It reflected the desire to imitate the spirit and form of classical art and culture. The increasing interest of classical antiquity in the artistic style and the development of taste in European art of this period was greately influenced by the freshly discovered archaeological ruins of the classical world. Additionally, the theoretical and historical writings savoring the classical antiquity, notably that of Johann Joachim Winckelmann, contributed to this change in taste. Neoclassicism was also, in part, built on the prevailing mood of Enlightenment, and a reaction aginst the decadent frivolity of the Rococo style and the social class which catered to Rococo art. Moreover, classical ideals which reflect the pinnacle of civilised society were more appealing to Enlightenment and its emphasis on rationality. This paper thus addresses the various factors that prodded the rise of the Neoclassical movement in European art.en_US
dc.language.isoenen_US
dc.publisherFaculty of Humanities, University of Kelaniya, Sri Lankaen_US
dc.titleයුරෝපීය නව සම්භාව්‍යවාදී කලා ප්‍රවණතාවen_US
dc.typeArticleen_US
Appears in Collections:Volume 04 - 2014/2015

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