The Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandet

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dc.contributor.authorHewabowala, E.
dc.date.accessioned2016-04-22T08:39:18Z
dc.date.available2016-04-22T08:39:18Z
dc.date.issued2014
dc.identifier.citationHewabowala, E. 2014. The Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandet. Kulatilaka Kumarasinghe –Critical Gaze, S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka. pp 458 – 482.en_US
dc.identifier.isbn978-955-30
dc.identifier.urihttp://repository.kln.ac.lk/handle/123456789/12724
dc.language.isoenen_US
dc.publisherS. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lankaen_US
dc.titleThe Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandeten_US
dc.typeArticleen_US

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