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Rig-Veda from a Folk Perspective

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dc.contributor.author Bhatta, N.
dc.date.accessioned 2015-06-16T04:13:48Z
dc.date.available 2015-06-16T04:13:48Z
dc.date.issued 2015
dc.identifier.citation Bhatta, Nagabhushana 2015. Rig-Veda from a Folk Perspective. Heritage as Prime Mover in History, Culture and Religion of South and Southeast Asia, Sixth International Conference of the South and Southeast Asian Association for the Study of Culture and Religion (SSEASR), Center for Asian studies of the University of Kelaniya, Sri Lanka. (Abstract) p.67. en_US
dc.identifier.isbn 978-955-4563-47-6
dc.identifier.uri http://repository.kln.ac.lk/handle/123456789/8270
dc.description.abstract Rig-Veda (rgveda), the world’s earliest literary record is in Sanskrit [1700-1600BCE]. It represents an oral tradition called shruthi. The Vedic tradition deems the Rig-Veda as apaurusheya - divine revelations. Aninteresting attempt is made here to note the contents of Rig-Veda from a folk perspective. The contents of Rig-Veda are hymns addressed to 33 elements of nature such as Agni, Indra, Vishnu, Sarasvati, Sinivali, Apamnapat, and others, which were later deemed to be gods/goddesses. There is a predominance of Agni hymns and Indra is equally vocally referred. The hymns which are called rks are 1028 in number and these rks are divided into Mandalas [graphic designs/constellations]. Each Mandala containing many Suktas [statements] and Anuvakas and rks called mantras. The 10 Mandalas are ascribed to 10 Rishis. The names of the Rishis are Angiras, Kanva, Vasistha, Visvamitra, Atri, Kashyapa, Gritsamada, Agastya, Bhrigu and Bharata. The Mandalas 2 to 7 are known as Vamshya Mandalas –family hymns. The Rig-Vedic narrative is oral and it refers to many practices and rituals which seem to have originated in a folk background. Recording of a narrative by a family or peopleof a tradition rooted in nature may thus be taken as the global and glocal definition of folk. Rig-Veda1/8/164 states if one cannot understand this, what can any prayer do for him? Taking its Pre-Christianeraand Indo-European alliance and all the later folk elements, most of the Indian and much of the European, can be traced back to Rig-Vedic sources. The matrilineal tradition of Aditi, the riverine tradition of Punjab and Pan Indian rivers, the worship rituals of fire, water, Indras fight with Vrutras to release them are classic narratives of folksubstratum. Some selected Rig-Vedic mantras areanalysed below from this perspective. 1] Asya-Vamiyasukta refers to an old sacrifice called hota attached to Rig-Veda who has two brothers and 7 children. This family sets up a ratha- chariot with one wheel driven by 7 horses. It has 3 axles-nabhichakrams. In the chariot are seated 7 sisters. 2] TheAditisukta referring to Aditis as sky,heaven,father,son,VisvedevasandPanchajanas[rv-1/8/89] 3] The Gomayus hymn refers to the eating of wealth by Gomayus, Ajamayus,Prushnis, and the Rishis and it pleads to give hundreds of cows, frogs as well as 100 years life. [rv 10/8/127]. 4] TheKeshinirk refers to one Keshini,who is also known by thename Panchami. Let her protect us in the name of sama-nisha-devi. 5] The Sinivali [the universal – mother-Visvapatni] sukta prays with a sacrifice[juhotana]to bestow protection to the seeker. She happens to be the sister of devas. She has robust arms. She is Shungurya, Raka as well as Sarasvati,Indraniand Varunani. [rv5/2/32] The cryptic examples given above encourage us to have a kaleidoscopic view of the Rig-Veda from a folk perspective. en_US
dc.language.iso en en_US
dc.publisher University of Kelaniya en_US
dc.title Rig-Veda from a Folk Perspective en_US
dc.type Article en_US


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