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A study of importance of Shanthikarma as soft power for country branding of Sri Lanka

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dc.contributor.author Panampitiya, W. M. G. N.
dc.contributor.author Rev. Dhammasara, T. Thero
dc.date.accessioned 2021-06-29T21:08:23Z
dc.date.available 2021-06-29T21:08:23Z
dc.date.issued 2019
dc.identifier.citation Panampitiya, W. M. G. N.,& Rev. Dhammasara, T. Thero (2019) A study of importance of Shanthikarma as soft power for country branding of Sri Lanka,International Conference on Heritage as Soft Power,Centre for Heritage Studies, University of Kelaniya Sri Lanka.Pag. 60 en_US
dc.identifier.isbn 978-955-704-134-6
dc.identifier.uri http://repository.kln.ac.lk/handle/123456789/22992
dc.description.abstract Soft power is a new type of power that can be used to brand nation and country, association with intangible power sources such as culture, ideology and institutions. Over the human civilization, many communities have developed their traditions, rituals and methods related to different fields such as dancing, music, arts, agriculture, medicine, irrigation systems and architecture in harmony with local ecosystems and nature. Sri Lanka has over 2500 years of history and it is related to traditional art including various types of dancing, music, paintings and sculptures from ancient history. Shanthikarma (a ritual consisting of chanting, drumming, and dancing aimed at warding off evil spirits) is a fundamental part of upcountry and low- country dancing systems in Sri Lanka. There are many forms of Shanthikarma practices in Sri Lanka varying from the health, protection and wellbeing of individuals as well as the society. But in modern society, Shanthikarma is diminishing rapidly as a result of various socio-economic transformations. Thus, the main objective of this study was to identify methods of using Shanthikarma to promote the identity of Sri Lanka in the field of tourism. This study is based on data from secondary sources. The literature review method was used for collecting data from relevant journal articles, research reports, textbooks and other academic works. The relevant literature was used according to the purposes of the study. The data was analyzed based on the descriptive method. Although many people have focused their attention on utilizing cultural heritage such as archaeological sites, Perahera to promote tourism, there is an inadequate focus on integrating methods of elements of Shanthikarma to increase the attraction of foreigners to Sri Lanka. Vocal elements such as Sloka, Sanna, Stanzas, drumming performance of Getabera and Yak bera, Dramatic items such as Yakkam, and Dancing items such as Yakkenuma, Bulath padaya, Kothala padaya, Thelme in Shanthikarma including Kohombayak Kankari Shanthikarma, Gammadu, Dewol madu and Bali Shanthikarma, Riddiyagaya, Dahaata Sanniya are main elements which can be used independently and separately to increase the attraction of foreigners. Currently, a space to perform these items in tourist hotels in Sri Lanka cannot be found. These separated vocal, dancing and dramatic items of Shanthikarma can be performed in a special stage of top tourist hotels and accommodations in a specific time. As well as, it can be organized several cultural events including Shanthikarma in the period of increasing arrivals of foreigners to Sri Lanka. There are Thanthra which create a mental stimulant. Thus, those artistic and psychotherapy values should be promoted as soft power for the Country branding of Sri Lanka. en_US
dc.publisher Centre for Heritage Studies, University of Kelaniya, Kelaniya, Sri Lanka. en_US
dc.subject Soft Power, Country Branding, Shanthikarma, Tourism, Artistic and Psychotherapy Values en_US
dc.title A study of importance of Shanthikarma as soft power for country branding of Sri Lanka en_US


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