The Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandet

dc.contributor.author	Hewabowala, E.
dc.date.accessioned	2016-04-22T08:39:18Z
dc.date.available	2016-04-22T08:39:18Z
dc.date.issued	2014
dc.identifier.citation	Hewabowala, E. 2014. The Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandet. Kulatilaka Kumarasinghe –Critical Gaze, S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka. pp 458 – 482.	en_US
dc.identifier.isbn	978-955-30
dc.identifier.uri	http://repository.kln.ac.lk/handle/123456789/12724
dc.language.iso	en	en_US
dc.publisher	S. Godage and Brothers (Pvt) Ltd, 675, P. de S. Kularatne Mw., Colombo 10, Sri Lanka	en_US
dc.title	The Stylistic Ideology and the Social Documentation behind the Aesthetic Productions of Honore' de Balzac as represented in Eugenie Grandet	en_US
dc.type	Article	en_US