Symposia & Conferences
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Item Gaja-Sthāpatya: Elephant in Ancient and Mediaeval Architecture(Centre for Asian Studies, University of Kelaniya, Sri Lanka, 2016) Palande-Datar, S.K.Elephant is ubiquitous amongst all the indigenous Indian animals, thus representing and symbolising Indian subcontinent in many ways. From its name, associations and characteristics, the elephant has entered into oral and textual traditions of Indian literature. In various vāstuśāstra and śilpa texts, we see a tendency to name certain forms and features by considering some metaphor based on natural phenomena. Such terms are prescribed for both, religious and secular architecture. These metaphors are derived from floral and faunal forms and associated character or behaviour. An animal as majestic and versatile as elephant, finds its place in such texts which were further translated in the diverse material forms of architecture in Indian subcontinent. These architectural forms defined after elephants, can be studied for their function and for the terminological association with elephants. This brief paper attempts to present and review the textual and material in association with the elephant and its physical and behavioural characteristics in Architectural forms across subcontinent.Item Elephants and Gods: A Sacred Alliance(Centre for Asian Studies, University of Kelaniya, Sri Lanka, 2016) Palande-Datar, S.K.; Khare, A.V.Stories of elephant in life and legends have captured the imagination for the countless generations of Indian subcontinent. The very form of the elephant triggers awe, delight and extraordinary grandeur, in one’s mind. Thus, it is no wonder that it has been assimilated and internalised in legends and stories of Indian subcontinent. Throughout the history, cannons of all the three main religious traditions of India are filled with mythological stories where elephants are part of central story, in association with Gods and Goddesses. Both malevolent and benevolent aspects of elephants are superbly utilised in the description of deity and/or mythological narratives. Various shilpa texts further stress and elaborate on the iconographic elephant association, brought out by these sacred texts. These iconological associations take its form in the sculptural compositions found in religious complexes across Indian subcontinent. So much so, that the very deity can be identified with the specific elephant aspect. The common examples are easily observed in the story of Ganeśa or in the form of Gaja-Lakṣmī. The paper, thus, aims at tracing this sacred alliance between elephants and religious pantheons in Brahmanical, Jaina and Buddhist traditions of India through prominent examples. It attempts to comparatively evaluate the textual narratives and sculptural art.