Browsing by Author "Jayawardena, S.G."

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A Cross-Cultural Exploration of 'Magicae' in Imperial Rome and 'Hooniyam' in Ancient Sri Lanka
(Department of Library and Information Science, University of Kelaniya, Sri Lanka, 2023) Jayawardena, S.G.
This comparative research delves into the intricate world of dark art practices by examining the phenomena of 'Magicae' in Imperial Rome and 'Hooniyam' in Ancient Sri Lanka. Through a meticulous crosscultural analysis, this study unveils the fascinating parallels and disparities between these distinct manifestations of occultism. Contextualized within the historical, cultural, and societal backdrops of Imperial Rome and Ancient Sri Lanka, the study explores the nuanced rituals, spells, and beliefs associated with 'Magicae' and 'Hooniyam'. By scrutinizing historical documentation, folklore, oral traditions, as well as literary and archaeological evidence, the research illuminates the integral role these practices played in shaping the spiritual and social landscapes of their respective civilizations. The research unearths the profound influence of cultural beliefs, religious outlooks, and societal norms on the development and reception of these dark art practices. By juxtaposing the cultural frameworks that birthed 'Magicae' and 'Hooniyam', the study uncovers the multifaceted nature of human spirituality and the diverse avenues through which individuals sought to navigate the mysterious forces surrounding them. Through an examination of modern interpretations, differing viewpoints, and scholarly debates, the research underscores the enduring relevance of these practices in contemporary discourse. Furthermore, the study contemplates how the remnants of 'Magicae' and 'Hooniyam' practices have permeated modern belief systems and worldviews, reinforcing their enduring significance. In essence, this research transcends the confines of time and geography to weave a comprehensive tapestry of the human propensity for exploring the arcane. By meticulously comparing 'Magicae' in Imperial Rome and 'Hooniyam' in Ancient Sri Lanka, this study not only enriches our understanding of these ancient civilizations but also provides a profound insight into the profound intricacies of the human quest for the mystical and enigmatic.
Taboos and transgressions: social perceptions of dark art practices in imperial rome and ancient sri lanka
(The Library, University of Kelaniya, Sri Lanka, 2023) Jayawardena, S.G.
This research aims to illuminate the intricate socio-cultural dynamics surrounding "Dark Art" practices in two divergent historical contexts: Imperial Rome and Ancient Sri Lanka. By delving into the perceptions, taboos, and transgressions associated with these practices, the study offers a nuanced understanding of how these societies grappled with the shadowy realms of occultism, magic, and mysticism. This research also sheds light on the complex social perceptions of these practices while underlining the critical role of secondary readings in unravelling the intricacies of these enigmatic traditions. The research will span across distinct historical periods, focusing on pivotal epochs, including the Imperial Roman period and corresponding eras in Ancient Sri Lankan history. Through rigorous analysis of historical texts, secondary readings, archaeological artefacts, and socioanthropological insights, this study will uncover specific Dark Art practices that were prevalent within each cultural landscape. With a keen focus on societal perceptions, the study will examine how these practices were positioned within broader cultural narratives and power structures. By investigating the taboos and transgressions associated with Dark Art, it seeks to explore how these practices challenged normative boundaries and potentially disrupted the established social order. The role of gender and social status will be scrutinized to discern if marginalized groups had a distinct involvement in or resistance against these practices. By conducting this cross-cultural analysis, the research aims to contribute to a deeper comprehension of the complex interplay between Dark Arts, social norms, and transgressions. This study not only enriches historical scholarship but also offers insights into how societies historically negotiated the tension between the allure of the forbidden and the preservation of societal cohesion. Ultimately, by unravelling the intricacies of these practices and their societal responses, the study endeavours to shed light on the perennial fascination with the arcane and the forbidden.