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Why does one go to hell?: Late 19th cent perspectives seen in the murals of the Vihārayas of the Amarapura Nikāya in the Galle District

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dc.contributor.author de Zoysa, A.
dc.date.accessioned 2015-05-26T05:19:09Z
dc.date.available 2015-05-26T05:19:09Z
dc.date.issued 2015
dc.identifier.citation De Zoysa, Asoka 2015. Why does one go to hell?: Late 19th cent perspectives seen in the murals of the Vihārayas of the Amarapura Nikāya in the Galle District, International Conference on the Humanities 2015: New Dynamics, Directions and Divergences (ICH 2015), University of Kelaniya, Kelaniya, Sri Lanka. 21-22 May 2015. (Abstract) p.48. en_US
dc.identifier.uri http://repository.kln.ac.lk/handle/123456789/7738
dc.description.abstract As known in Suttas of the Tripiṭaka, hells called Niraya in Pali and Narakaya in Sanskrit, are the lowest of six or five paths of rebirth. In the Devadūta Sutta, hells are located under the realm of humans (Manussalōka). According to the narratives, “evil doers”, “the wicked” or “sinners” seem to fall into an endless pit ending up in the hell they will have to undergo immense suffering. In some temples of the Southern and Western Maritime Region, scenes of hells seem to appear about 1870, at times covering the lowest register of the entire ambulatory. No other narrative cycle has been allotted so much space. The texts accompanying these hells explain why the person was reborn in a particular hell. The Akusala Kamma, (unskillful or unwholesome action) collected by the individual as human is meant to correspond to the thousands of years of suffering in particular hell tortured by Yamapallo, who are in service of the King Yama (Lord of the Dead). Devadatta, who attempted to kill the Buddha three times and to create a split in the Sangha was reborn in the Avīchi Narakaya, where those who have committed the most grave misdeeds are born. In the temple walls, neither Devadatta, nor Ajatasatta who killed his father are seen in hell. Strangely Revatī, the wife of a benevolent merchant, is dragged to hell because she refused alms to the mendicants, the poor and Buddhist monks. It is also surprising that the sites of the hells selected for this study - Kathaluwē Pūrvārāma Purāṇa Vihāraya, Ranvelle Navamuṇisē Vihāraya, Dodaṃdūwa Kumārakande Kumāra Mahāvihāraya and Randoṃbe Samūdragiri Purāna Vihāraya - have some names of hells not mentioned in Pāli sources or their commentaries. The series of sins written on the wall vary from temple to temple. The series of images of torture and suffering have been selected because they have complete sets of hells unseen elsewhere in Sri Lanka. Important monks of the Amarapura Nikāya have resided in these temples who spearheaded a breakaway from the Upcountry Siyam Nikāya in the first half of the 19th century. The short overview will present the vernacular list of hells. The punishments given together with the unwholesome deeds reflect the ethical and moral values upheld by the monks of these breakaway fraternities. en_US
dc.language.iso en en_US
dc.publisher University of Kelaniya en_US
dc.title Why does one go to hell?: Late 19th cent perspectives seen in the murals of the Vihārayas of the Amarapura Nikāya in the Galle District en_US
dc.type Article en_US


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